Series judge Carl Phillips says: “Rebellion is the first word that comes to mind, when reading simulacra, Airea Matthews’s rollicking, destabilizing, at once intellectually sly and piercing and finally poignant debut. The main rebellion here is against all formal expectations of what a book of poetry is or ‘should’ be – Narcissus communicates by Tweets, Anne Sexton sends texts from death to a recipient who may or may not be dead; there’s a miniature opera; there are upended nods to the epistolary tradition, prose poems, even a Barthes-influenced calculus.
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